Michael Rhodes – Opera Singer, Vocal Coach to Stars and Music Teacher to American Military Dependents

Michael Rhodes teaching Music to American Military Dependents in Bitburg Germany

March 20, 2013, the Associated Press big story was:


I was surprised but pleased when the obituary of Michael Rhodes was carried in papers across the United States.  Michael Rhodes was truly deserving of this final tribute.  Sadly, most who read the obituary had probably never heard of Michael Rhodes. Permit me to share his story.

Michael Rhodes was born on August 13, 1923 in Brooklyn, one of the five boroughs of New York City.[ii]  Michael Rhodes was an American opera singer and highly sought after vocal coach. He may be best known to American opera fans for being the vocal coach who helped make German tenor Jonas Kaufmann the star he is today. In interviews Kaufmann has credited Rhodes with helping him find his voice.[iii]  Michael began his own singing career singing in a church choir.  In time he would study under Robert Weede and Giuseppe de Luca. Rhodes began his professional singing career in 1947 at New York City Opera playing Jochanaan (John the Baptist) in Salome.  Radio was king in those days and in 1948, NBC gave Michael Rhodes his own show: “Music for an hour.”  From 1948 to 1951 Rhodes worked with musical greats like Leonard Bernstein and Aaron Copland.[iv]

Michael Rhodes was on his way to a great career in America, then in 1951 he was invited to visit Trier Germany.  Trier is a relatively small town but it is the oldest city in Germany and is something of a cultural mecca. Trier has a fine opera house and a knowledgeable, appreciative audience. The German people seemed to love Michael Rhodes as much as he loved them. In 1951 Rhodes moved to Trier Germany and later that year became the first American after World War II to sing at Berlin’s Deutsche Opera.  Among the more than 100 major roles that he sang during his 35-year stage career, “Falstaff” from Verdi’s opera of the same name was his favorite role.

While Michael Rhodes was content to focus most of his career on teaching and coaching others he was truly a world class talent and made guest appearances in leading roles with the greatest operas in Europe including Berlin’s Deutsche Opera, Opéra National de Paris and La Scala in Milan.  Peter G. Davis, an American opera critic, scholar and writer for the New York Times and New York magazine, met Rhodes and heard him sing on a visit to Trier in 1962.  Davis wrote, “I can confidently say that Mr. Rhodes might well have pursued a major career had he wanted it.”  Davis described seeing Rhodes in Puccini’s “Tabarro:” “Mr. Rhodes’s cannily manipulated big, burly voice practically blew the audience into the nearby Moselle River.”

I was blessed to have known Michael Rhodes in the 1970s and to have felt the power of his voice on many occasions. My family once shared a memorable Christmas dinner with him and other family and friends at his home in Trier.  I was just a teen at the time and knew him more as a choir director and family friend than as an opera star. On one occasion we were going to see him in an opera in Trier and Michael promised my little sister a special song. She was about nine years old at the time and she asked, “how will I know which song is for me” and he said, “I will just wink at you.” During the opera there was a scene where he was drinking in a tavern and appears to pass out. A second or two later he lifted up his head, looked at the audience and winked. The entire audience cheered as he started to rise from the ground singing a wonderful fun song.  To this day I do not know whether that was a regular part of the opera or something he did just for her. Either way it was another wonderful night with Michael Rhodes.

I don’t know why Michael moved to Germany. I would not be surprised if it was nothing more than his love for Trier. There was no mistaking his love for his adopted hometown. He also loved performing and directing in the wonderful opera halls and cathedrals of Germany.  He loved Germany but he also never stopped being American. He devoted countless hours to working with American service men and women stationed in Germany and their children. I was in choirs and had minor roles in musicals he conducted for American service families at airbases near his home in Trier.  Being directed by Michael Rhodes was a joy. He was never temperamental; he never became frustrated or angry. He gently pushed us to be better than we ever thought we could be.  I and many other American youth not only had the chance to work with Michael Rhodes, we also had the opportunity to perform in historic venues like the High Cathedral of Saint Peter in Trier and the Cologne Cathedral, in Cologne.  Wherever we went with Michael, we were always greeted warmly by the German people.

The first youth musical Michael directed was “Lightshine.” Lightshine was a musical telling of Christ’s Sermon on the Mount.  The year was 1974, I was 14 years old and I had a small part in the musical and sang in the chorus. That is me with my arms out below. This picture was taken at a rehearsal for Lightshine. We were working on a lighting effect. The flash photography has ruined the effect but with proper back lighting I appear to be a man seeking Christ and my shadow looks like Christ on the cross.   1975 - Lightshine Rehearsal 01aIt was a great experience. After “Lightshine” the youth, supported by the adult chapel choir and directed by Michael Rhodes, put on a production of “Amahl and the Night Visitors.”


Michael Rhodes directing the children’s choir at Bitburg Air Force Base Chapel (1975)

Michael Rhodes with Children’s Choir at Cologne Cathedral, in Cologne Germany

Being a teen I also had the opportunity to sing with adult chapel choirs and a US vocal ensemble. In 1974 the Choral Society of Bitburg and US vocal ensemble presented the “Messiah” by Georg Friedrich Händel under the direction of Michael Rhodes.  The final production of the combined choirs was presented at St. Peter’s Cathedral in Trier.  St. Peter’s is the oldest church in Germany and is known for looking more like a castle than a church.  Football and wrestling practice got in the way of me making all of the rehearsals so I did not sing in the combined choir performance of the Messiah at St. Peter’s Cathedral.  However, I was fortunate enough to be in the cathedral for the combined performance and also to sing an abbreviated version of the Messiah later that month at the airbase chapel.

I have referred to the Messiah as a performance and as a production and in deed it was both but if Michael were here he would remind all of us that it is first and foremost a worship service. Michael loved the Messiah and wrote his doctoral thesis on Georg Friedrich Händel. He reminded all of us repeatedly that the Messiah was the gospel set to music.  It is the story of the life, death and resurrection of Jesus Christ.

On the night of the combined German-American service, my family wanted to get the best possible seats so we arrived very early only to find hundreds of people already there – so many, we feared we might not get in.  Eventually we got in and got a seat toward the rear of the Cathedral.  The acoustics in the massive stone structure were amazing and we had no trouble hearing.  It was a magnificent night I will never forget.  There are no words that can truly describe what I heard that night. On that evening the audience stood for Hallelujah not out of custom or tradition but because the story and music drove them to their feet.

I have heard portions of the Messiah, often just Hallelujah sung many times since 1974, and when it is over I always think the same thing: that was wonderful, but that was not the Messiah. To sing the Messiah, in my mind, you need an ancient stone cathedral, at least a 150 member choir (300 is better), professional soloists, and most of all, you need Michael Rhodes.

Michael Rhodes deserves to be remembered as an Opera star but more than anything he was a great teacher.  He taught opera stars like Jonas Kaufmann, Katharina Bihler and Joshah Zmarzlik but he also found time to share his love of music with the children of American service men and women. As a former military dependent I want to say: thank you, Michael Rhodes, for the thousands of hours you spent working with the youth of the American Air Force Bases at Spangdahlem and Bitburg Germany.

Michael Rhodes died Sunday, March 20, 2013, in Trier, Germany.

[i] http://bigstory.ap.org/article/opera-singer-teacher-michael-rhodes-dies

[ii] http://magazin.klassik.com/news/teaser.cfm?ID=9940

[iii] http://www.nytimes.com/2012/04/22/arts/music/jonas-kaufmann-as-siegmund-in-die-walkure.html?pagewanted=all&_r=0

[iv] http://www.volksfreund.de/nachrichten/region/kultur/Kultur-in-der-Region-Was-bitte-ist-Trier;art764,220680


The Warford Band – KBBA – Radio Pioneers

In the summer of 1976 I was spending the weekend with my grandparents.  I was ransacking my Pappaw’s dresser drawers and digging through his hunting coats looking for ammunition for the 22 rifle. My Pawppaw hollered, “look in that old shoebox in the top drawer.” Sure enough I found several rounds of ammunition in the shoebox but I also found a heavy spool of silver wire. I had never seen anything like it and I could tell from the information on the outside of the spool that this was some kind of recording device.  I have always loved history and old things and I was in old stuff heaven at my grandparents’ house.  My grandparents never threw anything away and in their home you might open any drawer or a closet and find something that had not been used or even touched for years. At different times each of my grandparents gave me old keepsakes.  I suspect they gave them to me because they knew I would take care of them, and I have.  One of these treasures was this spool of silver wire.

When I found the wire I carried it out to the living room. My Pappaw said, “let me see that” and I handed him the spool. He inspected the spool closely and said, “Kenneth Lloyd,” (My Saline County family all call me by my first and middle name) “that is a recording of your Dad and the Warford Band makin music on the radio a long time ago.” He said, “if you can find a silver wire recorder I bet it would still play. I will give you that if you promise you will take care of it and try to find a recorder to play it on.” I of course gave my word and took the spool of silver wire. My Pappaw passed away a few months later in April 1977.

Years later when the internet came into existence I began to periodically search for information about silver wire recordings and to try to locate a silver wire player that worked so I could hear what was on the wire.  I doubted there would be anything on it after so many years but I could not give up.  I had to try to hear what was on that wire. Every few years I would dig it out and search the internet again until finally in 2004, I located a man in Lansing, Michigan who rebuilt silver wire recorders. I contacted Steve Gwost and he agreed to try to play the silver wire on one of his recorders and if something was on it he would make me a digital audio file.  Putting that spool of silver wire into the mail and sending it off to a total stranger was one of the hardest things I’ve ever done. The one thing I knew was that Steve Gwost was a kindred spirit a lover of all things old and historic. I hoped I could trust him to take care of it and get back to me.  It was worth the risk to see if something might still be on that wire. A few weeks later I received a package from Steve and true to his word not only did I get my spool of wire back but I also got a CD.  I ran to the computer like a kid on Christmas morning, and there it was – the Warford Band on KBBA.

The quality of the recording leaves a lot to be desired for sure but the content of the recording is priceless. It just sounded like noise at first but the longer you listen to it the better it sounds.  It is like your brain figures out how to filter out all the static.

The attached audio clip is of the Warford Band playing live on the radio in about 1953. The station was KBBA Benton Arkansas. The station is still on the air but it is now called KEWI.  You can read an interesting history of the station on Saline 24/7. HISTORY OF BENTON RADIO  The history was written by Preston Bridges the station’s first Chief Engineer.  The Station went on the air in April 1953. KBBA was an AM radio station that broadcast at 690 kilocycles from their 280’ tower in Benton Arkansas.  KBBA broadcast in half hour or hour segments. Many artists played live shows on KBBA and a few went on to fame and fortune. The most famous was probably Charlie Rich who is best known for his recording Behind Closed Doors.  The Browns also played on KBBA and later played and became part of the Grand Ole Opry.

The Warford Band would never make the big time but they were radio pioneers and had one of the first weekly shows on KBBA. We do not know the exact date of the recordings on the silver wire but we know they were made between April 1953 and October 1953. We know this because before Chuck Warford sings on the recording, Floyd Warford, asks his age and he was 11.  The Warford Band’s show was sponsored by L.C. Parsons and Elmer Lewis – Parsons and Lewis Grocery and Service Station, located on the Malvern Highway.

The Warford Band was made up of Floyd Warford on guitar and vocals, Kenneth Warford on guitar and vocals, Lloyd Roland Warford on the fiddle and Nina May Elliot on the piano.   At times Otis Elliot, Chuck Warford and Homer Graves also played and sang with the Band. The Warford Band like most bands only lasted a short time. The band broke up when Lloyd Roland Warford and Kenneth Warford went to college.

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This audio recording last about 20 minutes and I promise the longer you listen the clearer it will sound.  I don’t have any pictures of the Warford Band playing but I have posted a few pictures of some of the members taken when they were young.  If anyone has any pictures of the band or the members playing music please share.  All of my Warford digital files are available to any family member, just ask. I would also be interested in posting pictures of KBBA station in the early days or even pictures of the sponsors, L.C. Parsons and Elmer Lewis and Parsons or Lewis Grocery and Service Station if anyone has pictures they are willing to share.

Please enjoy the Warford Band brought to you by KBBA of Benton Arkansas.

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Warfords Making Music

Coming from an Air Force Family we only made it home to our grandparents a couple of times a year. When we did there were certain traditions. We had to do certain things, eat certain things and so on. Usually toward the end of our visit Papaw would want to play music. Usually he would say let’s “make some music.”  I remember a few times when there was a whole group Warford playing but most of the time it was just my Dad and Papaw.  I loved it when my family made music. The Warfords have always been a musical family. Unfortunately these days fewer and fewer of us Warfords make time to make music.  This video is a combination of an audio recording made with a cassette recorder and silent super eight movie film. While the two are not synced together they certainly capture the feel of the Warfords making music. The three kids in the video are me, my little brother, David and little Sister, Karen.